设计实践
园林22
阿比代，覃雪
无设计说明
艾孜买提
Man, from nature, belongs to nature. At the same time, humans live in the natural environment for much longer than in the man-made environment. Therefore, in evolution of nature, humans have already carved such a message in their DNA: natural environment is the most comfortable living settlement.
The closer the relationship between man and nature, the more comfortable man will be. However, the convenience of the artificial environment is also very important, and it is difficult for modern people to leave the artificial environment. The comfortable living settlement we pursue should be a combination of the natural environment and the man-made environment, which is what people have been doing for a long time. I use a collage to briefly explain such a concept. Tree House, the artificial environment and the natural environment are directly combined to form a unique living settlement. Modern house is built directly by a tree; The tree, on the other hand, grow directly in the house. This collage combines a house and a tree forcefully, which directly and surely expresses the idea of harmony between man and nature.
The content of the collage can be divided into three parts: rooms, tree, border.
There are 4 rooms in the collage：
Top left: A boy's bedroom.
Top right: A little girl's bedroom
Bottom left: Living room.
Bottom right: kitchen and dining room.
The prototype of this tree is a plane tree, which is very suitable for this combination in the collage with a tall and straight trunk. And it is also highly ornamental, which improves the comfort of the living settlement.
The collage is surrounded by real branches, symbolizing the coexistence of man and nature.
In this environment, people take care of the tree and the tree serves people.Man and nature coexist in harmony.
大鲸鱼
邓佳杰，加依达尔，董旭冉
其实这件作品放在植物园是非常突兀的，与环境的差别非常大，与周围显得是那么哥哥不入。就比如这张图片中，就像之一堆塑料瓶被随意丢在草丛中，显得非常难看。这给我们带来的思考不仅仅是作品的不够成熟，还有这些白色垃圾给大自然带来的伤害。警示我们减少白色垃圾，减少人类活动对自然的影响。而且根据调查，这些白色垃圾会经过食物链在高级捕食者的体内堆积。毫无疑问，人类是食物链的顶端，那么人类体重的塑料颗粒会越来越多。所以，减少白色垃圾，为了我们自己。In fact, this work is very abrupt when placed in the Botanical Garden. It is very different from the environment and seems to be so out of touch with the surroundings. For example, in this picture, it looks like a pile of plastic bottles are thrown in the grass, which is very ugly. This brings us thinking not only about the immaturity of the works, but also about the damage to nature caused by these white garbage. It warns us to reduce white garbage and the impact of human activities on nature. And according to the survey, these white garbage will accumulate in the body of high-level predators through the food chain. There is no doubt that human beings are at the top of the food chain, so there will be more and more plastic particles of human weight. So, reduce white trash for our own sake.
作品：《看见》
雷敏逸
睁开双眼，你希望看到的是什么？
是漫天霓虹下五彩缤纷且充满活力的世界，还是被血红的天空裹挟着日渐斑驳的世界？
当我们从幼年步入年老，在我们眼中，我们所居住的城市也在由左向右变化着。现在，我轻轻的闭上了眼，我幻想着世界的进程，或是重攀于霓虹，或是深陷血色。这时，我怀着希望与不安，睁开了双眼... ...
Artwork: Seeing
When you open your eyes, what do you want to see?
Is it a colorful and vibrant world under neon sky, or a world wrapped in blood-red skies that is increasingly mottled?
As we move from childhood to old age, the city we live in is also changing from left to right. Now, gently closing my eyes, I fantasized about the course of the world, either climbing back into neon or sinking into blood. At this time, with hope and anxiety, I opened my eyes . . .
绿意盎然
马天蕊 阮子航
创作灵感：由近年来全球环境的变化导致的恶劣影响，我们想做一个有创新性的带有警示意义的作品。同时我们想到灯这种材料的特殊性，想利用灯来联系前后。
故事介绍：讲述了一个人与自然的关系由和谐走向毁灭最终恢复的故事。以人类文明发展、城市变迁为明线，由绿色变化为暗线。设计精巧，意境唯美，整体营造了一种幽深气氛，发人深思。警示人们无度地向自然索取终将自食恶果，唯有爱护自然、追求人与自然和谐相处，才能让世界持续发展。
材料介绍：Led 灯，电子装饰灯，彩条拉花，花束材料，太阳膜，纱网，瓦楞纸，泡沫板，彩纸
视频文案：
最初，草木葱茏，满眼自然。
自然生机勃勃，人类于混沌中酝酿，产生。
人类小聚落无比敬畏自然，自然为人类提供一切生活所需。
聚落进一步发展，自然力减弱。
人地和谐。
人类主导范围扩张，资源明显减少。
人类继续扩张，滋生控制自然想法，自然空间越来越少。
工业时代，加速资源消耗，随之而来的，是自然的黯淡......
自然被消耗殆尽，人类世界空前繁华，同时有巨大危机。
人类贪婪无度，最终和奄奄一息的自然一同毁灭。
原本黯淡的世界化为灰烬，孕育下新世界的种子。
人与自然和谐共生，绿水青山的新世界形成！
Green
1. Creative inspiration
Due to the adverse effects caused by the changes in the global environment in recent years, we wanted to make an innovative and cautionary work. At the same time, we think about the particularity of the material of the lamp, and want to use the lamp to connect the front and back.
2. Introduction of works
1. Story introduction
It tells the story of the relationship between a person and nature from harmony to destruction and finally restoration. Take the development of human civilization and urban changes as bright lines, and the color of green changes into dark lines. The design is exquisite, the artistic conception is beautiful, and the whole creates a deep atmosphere and is thought-provoking. It warns people that asking for nature will eventually suffer the consequences, and only by loving nature and pursuing harmonious coexistence between man and nature can the world continue to develop.
2. Material introduction
LED light, electronic decorative light, Color strip pulled, bouquet material, sun film, screen, corrugated paper, foam board, colored paper
3. Personnel introduction
Tianrui Ma ，Zihang Ruan
Video copywriting
At first, the verdant vegetation, eyeful green.
2. Nature is full of vitality, and human beings are brewed and produced in chaos.
3. Small human settlements are in awe of nature, and nature provides all the needs of human life.
4. Settlements are further developed and natural forces are weakened.
5. Humans and nature are harmonious.
6. The scope of human-dominated expansion, natural resources significantly reduced.
7. Humans continue to expand, senior control the idea of nature, natural space is less and less.
8. In the industrial age, the consumption of resources accelerated, followed by the bleak nature......
9. Nature is exhausted, the human world is unprecedented prosperity, but there is a huge crisis.
10. So greed, and eventually destroyed with the dying nature.
11. The original bleak world turned to ashes, breeding the seeds of a new world .
12. A new world of harmonious coexistence between man and nature and green water and mountains has come into being.
草木轮回
南旭，益西拉姆
创作说明：“结束意味着新的开始，秋冬的肃穆，让生命的形式从地上转为地下。落叶归根、循环往复，即是生命轮回，生生不息的过程”，环保的尽头永远是这些可爱的绿色小生灵，我们手绘了每一帧画面，它们由简到繁再到简，从黑白到彩色再到黑白，都暗示着草木的轮回之旅。
Introduction of the work：the end means a new beginning，bleak autumn and winter change the form of life from above to below ground.the leaves return to their roots and this cycle repeats,which are the cycle of life,endless process.There is no doubt that the heart of the environmental protection are cute green creatures.We paint every picture by hand,they go from simple to complex to simple,from monochrome to color to monochrome,they all imply the reincarnation of plants.
碳中和显示器Carbon neutral display
倪子逸，多杰加参
温室效应，想必大家都不陌生，但现在它发展到了何种程度，却也不为普通人知。引用一段数据：自十九世纪以来的100年间全球地表气温上升或0.2一0.69℃。从1880一1998年间119年的资料看，全球变暖的趋势为0.53℃/100a。150年来在威丝康星和日本等各地方记录下来的湖面结冰和融化的时间变化为全球变暖提供了进一步的证据。在1946一1995年这些湖泊的结冰时间晚了9.5d而融化时间提早了8.6d，在这一期间，平均气温上升了1.8℃。气候变暖主要发生在本世纪20年代到40年代以及70年代中期以来的两个时期。进人80年代以来全球温度的上升有加速的趋势，90年代后的1990年、1995年、1997年和1998年全球平均温度数次创历史最高记录，过去的10年是自1659年开始记录气象以来北半球最暖的10年。一般而言，全球变暖呈现较大的区域差异，高纬度地区的增温大于低纬地区，陆地变暖比海洋明显[9]。据预测下世纪全球年平均气温将升高1.5- 4.59℃，北半球中高维地区温度将升高5一10℃，全球气温将以0.39C/l0a(0.2-0.5℃)的速度增加，这将使全球平均气温在2025年增加1.0℃、下世纪末增加3.0℃。速度之快是过去十万多年来最高的。尽管对增温幅度的预测不尽相同，但可以肯定的是未来全球气温将是不断升高的趋势。可见事态的严重性。所以现在国家也是主动担起大国责任，提出2030年碳达峰，2060年碳中和的战略目标。作为公民，我们自然要努力响应国家号召，为减碳事业贡献力量。在日常生活中，我们个人能做的事诚然是有限的，但全社会日复一日的积累，却又是不可小觑的。然而理想是丰满的，现实是骨感的。具体实践总是难以推进。我仔细思考后，认为，关键就在于人们对自己的行为能产生多大的影响没有清晰的认知。如此便是我设计灵感的来由——将碳足迹可视化。一张苍白的脸庞，总比一串数字或文字更加能打动人。但只知道自己排放多少显然是不够的，碳中和不是人类自己能完成的，所以对植物重要意义的彰显，也很有必要。我采用同样的思路，查找了许多文献，经过计算，选取了六种生活事物与六种自然植物，它们的碳排放与碳吸收刚好持平，即能达成碳中和。
魏旭颖，苟晋豪，沙毅
作品介绍：
当今社会可持续设计随着时代的进步而发展，同时，设计师的可持续发展观念越来越与时俱进。在社会不断发展的过程中，环境资源问题成为当下应该解决的大问题。低碳环保的设计理念是缓解当下环境问题的重要手段，是当前人类改善人与自然环境，建立循环经济良性发展的重要设计理念。为了表现城市这一鲜活的主体，我们主要采用对比的手法，以云层为界限，下面为倍受污染的城市废墟，上面则是梦境般的城市花园。下半部分的主体用铁棍搭建，上半部分的主体以泡沫条构成。该装置旨在表现都市美好生活的构想，并呼吁人们践行低碳环保理念，推动全球可持续发展。
Introduction of the work：
In today's society, sustainable design is developing with the progress of The Times. Meanwhile, designers' concept of sustainable development is increasingly advancing with The Times. In the process of the continuous development of society, the problem of environmental resources has become a major problem that should be solved at present. The design concept of low carbon and environmental protection is an important means to alleviate the current environmental problems. It is also an important design concept to improve the human and natural environment and establish the benign development of the circular economy. To represent the living subject of the city, we mainly use the method of contrast, with clouds as the boundary, below are the polluted urban ruins, and above is the dreamlike urban garden. The main body of the lower part is built with iron bars, and the main body of the upper part is made of foam strips. The installation aims to express the idea of a better urban life and call on people to practice the concept of low-carbon environmental protection and promote global sustainable development.
杨迅
无设计说明
作品名：《渴望与破坏》
张浩民
作品分为两个部分，面积较小的部分用苔藓，树叶，果实，花瓣以及绿色颜料来营造一种绿色，梦幻的世界。另一个面积较大的部分用混凝土浇筑出一个斜坡，有两只带着各种垃圾污水的手挣扎地从混凝土中挖出来，由上而下伸向干净的绿色世界。混凝土中镶嵌着各种垃圾，再用深绿色颜料象征污水。这个作品想表达两种意思。
第一种意思：人们生活在被混凝土覆盖，充满了污水，油污与各种垃圾的世界，人们渴望从这种肮脏的环境里逃离，渴望得到绿色干净的环境。
第二种意思：人们肮脏的双手正在不断地腐蚀破坏着干净的世界。
Title: "Desire and Destruction"
The work is divided into two parts. The smaller part uses moss, leaves, fruits, petals, and green pigments to create a green, dreamy world. Another larger section is poured out of concrete to create a slope, and two hands with various garbage sewage struggle to dig out of the concrete, reaching out from top to bottom to the clean green world. The concrete is inlaid with various garbage, and dark green pigments are used to symbolize sewage. This work wants to express two meanings.
The first meaning: people live in a world covered with concrete, full of sewage, oil and all kinds of garbage. People long to escape from this nasty environment, longing for a green and pure environment.
The second meaning: people's muddy hands are continuously corrupting and destroying the clean world.
赵文韬，李长俊
构思：对于本次项目主题城市建筑、景观的碳减排解决方案和环境友好的都市生活构想，我们小组就有了将自然与工业风格相结合手法形成反差感的想法。
Conception: For the theme of this project, the carbon emission reduction solution of urban architecture and landscape and the concept of environment-friendly urban life, our group has the idea of combining natural and industrial styles to form a sense of contrast.
实现过程：
Implementation process:
以纸箱为主要结构，加以胶条卡纸包裹，最后碰上银色涂鸦喷漆以展现金属质感。
The carton is the main structure, wrapped with adhesive tape and cardboard, and finally met with silver graffiti painting to show the metallic texture.
内部以手绘的方式布景，借以展示自然气息，在中央放主要元素绿植。
The interior is set in a hand-painted way to show the natural atmosphere, and the main elements are green plants in the center.
在内部加入灯条，用其灯光来是内部元素清晰，底部亚克力板产生倒影渲染氛围。
Add light bars to the interior, and use their lights to make the interior elements clear, and the bottom acrylic board produces a reflection rendering atmosphere.
内部加入泥土碎草模拟大地环境，外部添加一个通风管道和风扇，外侧底部放一些工业废料，表现此建筑通过将废料转化为植物生长所需氧气来实现工业时代不健康环境下植物的生长，上部风扇连接电源可以运作，增添动感和真实性。
Soil and grass are added inside to simulate the earth environment, a ventilation pipe and fan are added outside, and some industrial wastes are placed at the bottom of the outside, which shows that this building can realize the growth of plants in unhealthy environment in the industrial age by converting wastes into oxygen needed for plant growth, and the upper fan can be connected with power supply to operate, adding movement and authenticity.
