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2023-2-16 14:34

建筑21级

城市从何而来

Where Do Cities Get Their Nutrients From

作者:孙芳叶上海交通大学

Artist: Fangye Sun from ShangHaiJiaoTong University

作品类型:电子绘画

Art Medium: Digital Painting

作品描述:垃圾的产生伴随城市建设的整个过程,城市里光鲜亮丽的高楼就像吸收着土地下埋葬着的垃圾的养分拔地而起。人们必须更清楚地意识到这个问题。

Description: The generation of garbage accompanies the whole process of urban construction, and the gleaming tall buildings in the city rise up as if absorbing the nutrients of the garbage buried under the land. People must be more aware of this problem.


住在洞穴中

Living in the Caves

作者:孙芳叶上海交通大学

Artist: Fangye Sun from ShangHaiJiaoTong University

作品类型:电子艺术

Art Medium: Digital Art

作品描述:回到我们祖先的生活,白天外出翻山越岭与自然的植被、水流接触,夜晚回到洞穴中。简单的生活方式也许能带来能源消耗的减少。

Description: Back to the life of our ancestors, we go out over the mountains during the day to get in touch with the natural vegetation and water flow, and return to the cave at night. A simple lifestyle might bring about a reduction in energy consumption.



《我与梦露》

徐明宋521431910005

设计学院建筑系

指导教师:陈霆、段滨、刘小凯、张帆

拼贴类作品。利用肌理产生效果。以嘴为主要元素,该元素提取自人体,通过皮肤、唇、牙齿、舌头层层递进,作为肌理与画面的承载。选用作者本人以及玛丽莲梦露的嘴,并以对比强烈的肌理和剪影内容,表达作者对自然与人为,自我与他者的思考。

Collage works. Mouth is the main element. The mouths of the author himself and Marilyn Monroe are selected, and the contrasting texture and silhouette content are used to express the author's thinking about nature and man-made, self and others.

左侧是作者本人的嘴,干裂土地为皮肤的肌理,铁锈为唇的肌理,嘴内是工厂及其排放的废气废水,是作者对自我的结构,对环境现状的思考。图像仿佛是恶劣的环境在人的身上留下的伤疤。

The left side is the author's own mouth, the dry and cracked land is the texture of the skin, the rust is the texture of the lips, and the inside of the mouth is the factory and its waste gas and waste water. The image seems to be the scars left on the body by the harsh environment.

右侧是玛丽莲梦露的嘴,水纹为皮肤肌理,嘴唇是苹果的纹路,嘴内是蓝色妖姬,白莲,与树。自然的美与人的美相互映衬。

On the right is Marilyn Monroe's mouth, the water pattern is the skin texture, the lips are the pattern of apples, and the mouth is blue enchantress, white lotus, and tree. The beauty of nature and the beauty of man complement each other.

最后的结果是肌理、色彩、主旨的碰撞与侵染。

The final result is the collision and infection of texture, color and theme.



未来环保城市

张宇澄上海交通大学设计学院建筑系

在未来,人类的城市生活环境会越来越杂乱,但是绿化植被可以改善这一局面。植被与建筑结合,可以减弱高密度的城市空间的杂乱感,使城市建筑与景观更加具有自然气息,极大地改善人们的生活环境。

In the future, the urban living environment of human beings will become more and more messy. However, vegetation can improve this situation. The combination of vegetation and architecture can reduce the mess of high-density urban space, make urban architecture and landscape more natural, and thus greatly improve people's living environment.



现代化与海洋

李卓育建筑系521431910009

说明:现代文明的伟大成就来自于早期工业对生态环境的透支。同时生活在陆地的缘故,人类大多对海洋污染“看不到,摸不着”,很难像空气污染那样有切身感受

Explanation: The great achievements of modern civilization came from the early industrial overdraft of the ecological environment. Living on land at the same time, most people can't see or touch Marine pollution, so it's hard to have a direct feel like air pollution.


山水

上海交通大学设计学院建筑系康家祥521431910010 指导老师:段滨 刘小凯 张帆

中国最知名的环保口号莫过于:绿水青山就是金山银山。中国的一系列现代化进程措施使得中国人民大步幅买入城市化步伐,很多农民山民丧失了原先的居住环境和生活习惯。由于过度城市化工业化,环境治理能力跟不上,导致国内很多地方垃圾成堆,丧失了中国历史中的绿水青山,本作品以国内传统的青绿主体山水画为基础(中国山水画里内涵古木构建筑),结合法国作家莫奈保罗和梵高的笔触做法加工处理得到,反映中国山水城市的概念,呼吁人们回归自然,与自然和谐相处,打造符合中国人意向的山水城市,迎合人与环境的主旨。

The most well-known environmental protection slogan in China is: green water and green mountains are golden mountains and silver mountains. A series of modernization measures in China have made the Chinese people take a big step towards urbanization, and many farmers and mountain people have lost their original living environment and living habits. Due to excessive urbanization and industrialization, the environmental governance capacity cannot keep up, resulting in piles of garbage in many places in China, and the loss of green water and green mountains in Chinese history. This work is based on traditional domestic landscape paintings with green and green subjects (Chinese landscape paintings contain ancient wooden buildings. ), combined with French artists Monet, Paul and Van Gogh's brushwork, it reflects the concept of Chinese landscape urban city, calls on people to return to nature, live in harmony with nature, and create a landscape city that meets the Chinese people's intentions and caters to the theme of people and the environment .


最后的光芒

——PS拼贴+摄影处理

上海交通大学

指导老师:段滨、刘小凯、张帆

袁诗谣521431910011

随着工业污染的加剧,我们生活的环境变得越来越糟糕,人们开始离开那个曾经居住的地方,原先的城市变得荒凉。因没有人居住而龟裂的街道和破烂的房屋此刻孤独地伫立着,原本乌烟瘴气的天空出现的一道光芒仿佛是它们最后的救赎。

作品由以摄影照片为基础,经过滤镜和AI处理,将树木改为破烂的房屋,保留原有的光影和龟裂的地面作为主要部分,再通过PS拼贴工业污染的背景。以表达若工业污染持续下去,将使人类的家园变得不再宜居。

The last light

-PS Collage+

Photographic processing

Shanghai Jiaotong University

With the intensification of industrial pollution, our living environment is becoming worse and worse, people begin to leave the place where they used to live, the original city becomes desolate. The cracked streets and dilapidated houses stood alone, their last salvation in a gleam of light from the otherwise sultry sky.

Based on photography and processed by filters and AI, the work changed the trees into shabby houses, retained the original light and shadow and cracked ground as the main parts, and then collaged the background of industrial pollution through PS. If industrial pollution continues, it will make our home unlivable.



521431910012蔡屹坤

无设计说明



城市“保护伞”

益西多杰上海交通大学设计学院建筑系

现代社会发展越来越快,同时一起不可避免的环境问题也日益严重。人类发展的迅速是值得肯定的。可是,越来越多的人忽视了,地球并不仅仅属于我们人类。我们也只是大自然里渺小的一部分。人类发展过程中造成的污染,损伤所带来的后果却需要所有在大自然的个体来承担。地球气温上升,核泄漏等等虽然让人类付出了代价,可这远远不及北极熊流离失所的痛苦,成千上万的海洋生物也不该为此丧生。人类不应该只藏在保护伞下,人类也该敬畏自然,合理利用大自然的一切。

The city's protective umbrella

The development of modern society is getting faster and faster, at the same time, an inevitable environmental problem is becoming more and more serious. The rapid development of mankind is worthy of recognition. However, more and more people are ignoring that the earth does not belong to us only. We are just a small part of nature. The consequences of pollution and damage caused by human development need to be borne by all individuals in nature. Rising temperatures, nuclear leaks and so on have taken a toll on humanity, but it is far less painful than the displacement of polar bears, and thousands of sea creatures should not have died. Human beings should not hide under the protective umbrella, but also respect nature and make rational use of everything in nature.



苏巴提  上海交通大学

   建筑不断地发展,工业化的进步导致空气污染越来越严重。而我们更应该在关注城市发展的同时治理好环境问题,尾气排放让我们的生活充满了雾霾;建筑上长出植物寓意就是呼吁大家减少碳排放,如果有一天烟囱中排出的不是污染气体而是一排排树;如果汽车也变成一棵棵树。

  The continuous development of buildings and the progress of industrialization have led to more and more serious air pollution. And we should pay more attention to urban development and manage environmental problems at the same time. Exhaust emissions make our lives full of smog; the meaning of plants growing on buildings is to call on everyone to reduce carbon emissions. If one day what comes out of the chimney is not polluted gas It is a row of trees; if the car also becomes a tree.

​​


她的汪洋

上海交通大学设计学院建筑系曾理521431910016

用塑料袋、易拉罐、餐巾纸等生活垃圾拼贴出鲸鱼在海洋中的场景,呼吁人

们保护海洋,减少一次性用品的使用。

<Her Ocean>——Note:

Plastic bags, pop cans, waste paper tissues are gathered to show a whale swimming

in the ocean, appealing to reduce the using of disposable goods.


“森林”中的飞鸟》 作品说明

上海交通大学续舒荟

作品类型:手绘动画

分辨率:2000x1500

视频时长:119秒

作品内容:森林,不仅指原来动物们生活的地方,也象征着现在的水泥森林——城市。飞鸟是作品中选取的意象,用以代指各生物。当植被被水泥覆盖、树木被高楼替代,飞鸟们又何去何从呢?我们需知,城市生活空间不仅是人类的生存空间,人居环境与其他生物的生存也密切相关,我们要为飞鸟们重铸一片可供他们生存的“绿色”。由此,城市中的人类,“森林”中的飞鸟,可以共享一片蓝天。


《腐烂的一亩三分地》

上海交通大学刘兰兰

作品说明:本作品的背景是建立在发展重工业的时代很多土地被征用,用来建设化工厂、建工厂等,但在这样的情况下,很多老百姓家里仅有的一亩三分地不能用来种植粮食,反而是被到处挖掘、填埋、使用恶性化学用品,在污水、浓烟、农药等的影响下,曾经生机勃勃的土地也变得一派荒凉,树叶凋零,土地上满是残留的药渍和枯草,天空中也满是浓烟,作品以工厂对土地的污染为基础,通过揭示深受其影响的现实,响应了“绿水青山就是金山银山”的发展理念,借此向众人表达环保发展的必要性。

创作过程:结合所想元素,以漫画风平板手绘的形式,整体采用一个接近地面的视角,将天地之间的所有变化呈现出来。


绿色环保主题漫画设计说明

 华冠钧设计学院建筑系521431910022

指导老师:段滨、刘小凯、张帆

用四格漫画的形式讲述了一个有关保卫绿色的故事,过程大致为:人们污染环境,污染物和病毒入侵,绿色植物和污染物斗争,最终保卫了地球和家园。其中运用了拟人化的方法生动的体现出人们抗击污染,保卫绿色的过程。

It tells a story about the protection of green in the form of four cartoons. The process is roughly as follows: people pollute the environment, pollutants and viruses invade, green plants fight against pollutants, and finally protect the earth and home. The anthropomorphic method is used to vividly reflect the process of people fighting against pollution and protecting green.


3D打印作品简介

华冠钧设计学院建筑系521431910022

指导老师:段滨、刘小凯、张帆

该作品以未来绿色智能建筑为主题,通过对AI生成图片进行参考,对未来节能环保的绿色建筑进行3D打印。该建筑中包括绿色供气系统、隔离仓、电塔、附有太阳能电板的居住区与研究区,室内暖棚,集绿色供气、供电、供暖于一身,且不耗费能源。

introduction to 3D printing works

This work takes the future green intelligent building as the theme, and 3D prints the future energy-saving and environment-friendly green buildings by referring to AI generated pictures. The building includes green gas supply system, isolated warehouse, electric tower, residential area and research area with solar panels, indoor greenhouse, which integrates green gas supply, power supply and heating, and does not consume any energy.


设计说明

上海交通大学设计学院建筑学

郝正正521431910023

城市在发展,但与之相应的生态环境是否也在一起发展呢?不同城市的情况或许不一样,但在中国,大多数城市的情况都是未能做到同时发展。日常生活中这或许难以察觉,但我们仍然可以一叶知秋。你所见的每一个细小的生态变化,无论是一棵树的凋零,还是一群鸟儿的离开,一定都意味着什么。只是需要你的思考。

一、通过城市与树的对比形成一种萧瑟的氛围

二、加入人的元素,通过画中人的思考来带动观者的思考

三、小改一下构图,丰富一下画中元素


张太昊



方文杰  



海中都市

王德坤上海交通大学设计学院建筑系

指导教师:陈霆、段滨、刘小凯、张帆

随着重工业的发展,海洋生物的生存领域在不断被人类侵蚀。工厂每日肆无忌惮地排出大量的浓烟,透过它们,我们能看到的只有海洋生物的哭泣,城市仿佛建立在生物的领地中,一座座建筑拔地而起,海洋生物们无处躲。可能在人类眼中的繁荣昌盛在动物眼中只是残忍的剥夺和无休止的侵害。若未来城市落入海中,我们又该何去何从?关注海洋生物,关注生物共同体。

Sea city

With the development of heavy industry, the living area of Marine life is constantly being eroded by human beings. Factories emit a lot of smoke every day without any hesitation. Through them, we can only see the crying of Marine creatures. The city seems to be built in the territory of creatures. Perhaps what man sees as prosperity is what animals see as cruel deprivation and endless encroachment. Where will we go if the cities of the future fall into the sea? Focus on Marine life, focus on the biological community.community.


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